Wednesday, April 4, 2012

THE WAKA-VENTURES OF MALLAM PELLYKS (Part 1)

THE WAKA-VENTURES OF MALLAM PELLYKS (Part 1)

by Felix Abrahams Obi on Sunday, April 1, 2012 at 2:52am ·
THE WAKA-VENTURES OF MALLAM PELLYKS (Part 1)
©Felix Abrahams Obi,
Abuja, April 1st 2012
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My name is Mallam Pellyks…and I’m not a Boko Haram terrorist because my email (halal3k) is the opposite of haram and it’s been in use since 1998 or thereabout when I registered the email way back in Benin. Then the cost of browsing for about an hour was about 1k, and the dial-ups were in the vogue. Only the rich installed computers with internet at home, and in order to properly browse and rove round the net, we paid for ‘all night browsing’ even though many of us hated ‘all night prayer vigils’. Now I digress, please forgive my distracted and philosophical adumbrations. Ewoooo, I have ‘spoke’ a vocab ooooh…chaiiii!

OK. Emm let’s go back to the origins of my special name. I was not born in the North of Nigeria, but I’m as dark, and ebony-hued and proudly black Naija dude from the South-East of Naija. My parents are full-blooded Igbo with no phenotypic or genetic ambiguities or abnormalities distorting their anatomical and physiological to warrant any reconstructive surgery to make them look more Igbotic, than necessary.

Yet I am taller than my parents, and long before I became a ‘fatty bombooo’, I used to be as slim, cute and tall like a Fulani herd’s boy. But the years of sitting at long meetings where coffee breaks are served have not helped my esteemed goal of returning back to my six-packed-abs frame of yesteryears. But they assure me that if I keep hoping without going to the gym like I used to in the past, I can still lower my BMR so long as I take the vow of fasting and poverty, save that this my big-man look may vanish in a jiffy.

Please forgive my soliloquy as it is not an indication for enduring the searchlight of a psychiatrist. So as a child, it was obvious I had the Hausa gene in my system, and how this hybridization happened has remained a mystery to all and sundry. As a ‘bomboy’ growing up in my village, I used to squat while eating alone or with my wonderful cousins. While they sit comfy on any available seats, my ‘humble self’ will lower my butts, bend my knees, and gbam, I’ll rest my bombom on the fictitious seat. They told me that’s how mallams or ‘aboki nnama’ used to sit when they eat or taking a rest from chasing their unruly cows around from one green pasture to the other.

This innate squatting style of mine marked me out as a special kid. And to add to this uniqueness, I had very flexible joints that should have made me one of the best gymnasts had my parents thought seriously about relocating to European countries like Bulgaria, Poland or Russia. To display the versatility of my skeletal appendages (otherwise called ‘joints’ for the uninitiated), I could easily sprawl on the floor with my legs twisted in what may seem to be an awkward but painless position to the chagrin of my relatives. And when you look around Igboland, you are sure to not find men sprawled on a floor mat, eating ‘tuwo shinkaffa’ or ‘tuwo masara’ with ‘mia akwuka’. No mind my ‘nyamiri dodondoya’ people who make balls of ‘akpu’ as powerful as bullets while taking a ride from the esophagus to the gastric chambers, after the mastication have been done in the buccal cavity before the downward acceleration into the abdominal cavity.

With all this precocious display of this arewa-like genius, my classmates in my village secondary school had no difficulty nicknaming me ‘Mallam Abubakar’, thinking such a nickname would haunt me for life. To their shame, all efforts to have me enroll for a degree in the universities in Igboland were providentially thwarted against all odds, and like a crown-prince on a mission to reclaim his suzerain power, I was carried on the coaches of destiny (train) till I docked at the final station in Kano. And when my former school mates heard that I had gone to Kano to acquire my first degree, they now reckoned that the name they taunted me with, had turned into a self-fulfilling miracle of a prophesy. In capitulation to providence, they screamed like a defeated foe, ‘ Cheii, he has gone back to his brothers and sisters in Kano’!

And what a home-coming it was for me to be among my arewa brethren, only that after almost 6years in Kano studying for a degree in ‘Okpukpology’ (aka physiotherapy), I could only mutter a few incomplete sentences in Hausa to the shame of all those who made me speak ‘dogo turenci’ (big big, English grammar) in the class and lecture rooms. Then at Bayero University Kano, I tried a few times to attend the meetings of the Igbo students Association where ‘turenci’ was banned, and since I couldn’t address a gathering in Igbo, I respected myself and quietly developed cold feet whenever the notice of these meeting (ogbako umuada na umuokorobia na Mahadum Ado Bayero, nke no na obodo Kano) reach my ears or are spotted by my eyes.

I didn’t leave Kano without an arewa lingua after all for I got tutored in one of the sweetest Creole-like languages I’ve ever known. It’s far sweeter than the ‘waffi’ pidgin and it’s especially unique because only a few mallams like me can speak it fluently. Our only grouse is that some comedians like ‘Holy Mallam” have used this our language to make millions without our permission. When we quip “Wallahi I dey craze?” while chatting with you, it’s obvious you are displaying signs and symptoms of the inmates that keep psychiatrists busy as companions in a mental home. If we ask you “Wetin be my name?”, it’s obvious we’re being courteous in trying to know your name, even when you haven’t introduced your name to us as expected when people meet the very first time.

We are often amused when we say “Kwonduster”, and the uninitiated acts as if we’re in a classroom where dusters are used to wipe out chalk from a blackboard. So we call the conductor, “Kwonduster” because it’s his duty to clean and dust the buses that ply on the streets of Kano. And when Oyinbo people come to Nigeria to pose as tourists, they are shocked when we buy all their “pelenti pelenti dollars”. And we wonder why people are amused when Dame Peshee says ‘womens’ because that is because when you add women plus women, the plural becomes womens shikina!

So in the last 3 weeks, I went on a tour of Kano, Jigawa and Sokoto (Sakwoto) on an official assignment. Since my Hausa language skills have grown so rusty and mundane, I switched easily to my ‘arewa english’ as my legs landed on the dusty streets of Kano. Wallahi it was like homecoming after missing my ‘fiful’ who call me “Pellyks” in a sonorous manner. Though I was happy being back to Kano, I wasn’t happy with what these Boko Haram boys have done to Kano. Kai, ‘ebiri wia I gwo, I see am 4 pelenti pelenti sodja fiful as ip we I dey fight am 4 sibul war! Police fiful I put am 4 road block ebiriwia. Ip I drive am 4 my mota, dem telli me to ofun ya boot!

But I enjoyed my stay in Kano, save that pelenti fiful 4 Sabon Gari, I don kwomot. Wallahi dey telli me dat book haram I no gwood wallahi tallahi. Dem telli me say, book haram I no like am 4 makaranta to go and learn and do akaratu. Haba! This people should know that if you say education is expensive; try to aacquire ignorance…kowaiii! This book people are just full of pelenti pelenti iskanci’ and behave like a dan-iska…but one day be one day when they will try to detonate bomb, and the bomb go shout, ‘wallahi you is a dan-iska faah…me I no wan explode again to killing innocent fiful gaskiya…
(To be continued)
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(Felix Abrahams Obi is an Abuja-based physiotherapist and poet )


North embracing South
Arewa of the Future


My life as an artiste and development worker -Sufi

My life as an artiste and development worker -Sufi
Musa Abdullahi Sufi seems to be a force to reckon with in the entertainment industry not only in Nigeria but globally. He is a writer, an artiste and a development worker whose quest for equity has taken him across Africa and Europe. In this interview, Sufi talked on how he combined acting and development work and lots more.
Can you tell us your brief biography?
My name is Musa Abdullahi Sufi, I had my primary school education at Kawaji Jigirya Special Primary School, I attended Kawaji Secondary School for my post primary school education. I then went to College of Arts, Science and Remedial Studies (CAS) Kano, from there I went to Bayero University Kano where I had my two different degrees.
After that, my childhood passion appealed to me and I found myself neck deep in development work. However, this did not deter me from pursuing other important aspects in my life, which is writing and movie making.

How did you manage to combine these different things at a time?
It all depends in the way you see things. As a development worker, I am always with the people at the grassroots and as a writer, I explore the ills and vices among the people for those at the helm of affairs to read and act upon; as an actor I reflect what I have gathered as a development worker coupled with what I have put into writing to make a movie which will tell the story as a whole. So you can see the whole issue is that of coordination, and I am glad I am able to cope up with the three effectively so far.
Similarly, as a writer, I wrote so many poems about maternal mortality and what individuals and the communities should do to avert such avoidable deaths.

How many books do you have to your credits?
Unfortunately I have written about three books but all were distressed by a computer. Moreover, most of my works have been featured in magazines, Journals and newspapers both national and international. Some of my works have also featured in some anthologies within and outside Nigeria. Though I have been drawn back by what happened, most of my works are in my blogs so I am able to gather them. And presently I am working on three books one of which is a collection of my poems which I call ‘My Kano and other Poems’ and the others include a collection of short stories and the other is a prose on babies and parents.

As a development worker do you own an NGO of your own?
Actually no, I don’t have any of my own but I have been working with different NGOs home and abroad such as working with the British Council and recently, I have just finished working on maternal child health care. It has been a tremendous achievement in working at that angle via creating awareness on behavioural change among our communities. I am also working with some local NGOs in Kano.

Do you have any movie to your credit?
I have been involved with the movie industry for long and I have appeared in many movies most especially those produced by Ummi Production such as Gumurzu, Amir among others and the recent one is Noor, which was released not quite long ago. I have played different roles in many movies and I have been involved with different aspects of movie production that range from script writing, story writing and directing. And again, I have been involved in many documentaries which include the most talked about documentary called ‘Kainji Dam: The Untold Story’, a documentary on the way the people that sacrificed their heritage for the construction of the dam are suffering today. Though it is a personal effort, I am proud that via one of my works, the National House of Assembly’s attention was drawn to a very sensitive issue like the neglect suffered by the people of Kainji. However, I am working on a particular movie that will feature the history of this people because they have a wonderful history worth telling. I forget to tell you that I got to know about these people when I was posted to Niger State for my NYSC. My good relationship with the community members in that area made them take me as part of them and I believe the cordial relationship we enjoyed is what I am trying to pay back to the community of Kainji.

So, being involved in development work and entertainment what can you say are the challenges affecting both sectors?
There is this problem of superiority complex among authors. You will find out that when one is trying to make something another is busy condemning his efforts and this honestly crippled the sector as many will give up after their first attempts. And also the issue of funding; be it at the local or international level it is also faulty. However, there is actually zero concern on government’s part with regards to funding the writers or movie makers in the state. Though recently I heard that the Kano State government is going to do something on the issue of funding the movie industry which we hope writers will also benefit from.
Another problem is that writers do not want to read or rather make researches on other people’s work, and it is clear that you can’t be a good writer without reading others work to improve upon yours.

Experts are criticising the movie industry for lack of symmetry between the theme of a movie and the characters in the movie; is that criticism justifiable?
I think every movie being produced has a massage to disseminate, but sometimes the technical aspect is where the problem usually lies. And I want to make it clear here that there is actually a difference between dramas and movies, people mistake movie for a drama. This distinction is what brought the issue of lack of synergy between the most vital aspects of movie making.
And like I have said earlier, unlike our counterparts elsewhere, we lack support from our traditional leaders, religious leaders and the government itself. Therefore, those operating within the industry are left to fend for themselves without fatherly and religious advices; this really affects the quality and acceptability of our movies by our people. But with the way things are moving now, I have confidence that things will surely change for the better. In fact things have already started changing, because the international community has recognised the industry. It is a tremendous achievement to the industry when a person from the international community not only appreciates our work but also decides to join us, just like Hadiza from Gabon did and she is doing very well.

What is your advice to your colleagues in the industry?

Let us understand that apart from earning a living through what we do, we do have some responsibilities that we ought to have been discharging and that is promoting our culture and protecting the good virtues of where we come from. These are lacking among us, therefore we should bear in mind that we have a lineage to protect.